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Johannes Brahms

Saturday, June 25, 2016


The Boston Musical Intelligencer

Yesterday

NEC Five Explicate Joachim

The Boston Musical Intelligencer A concert at the First Church in Boston centering on Joachim and his circle followed a very interesting pre-concert talk. The performers themselves were, like that earlier circle, a tight-knit group of luminaries, this time connected with the New England Conservatory. James Buswell (now emeritus), violin and viola, who delivered the pre-concert talk, joined Jaime Kourkos, mezzo-soprano; Carol Ou, violoncello; Victor Rosenbaum, piano; and Mana Tokuno, piano. The high-level performances also came through as a labor of love; many of the performers had been present during the paper sessions of the conference at the Goethe-Institut Boston [see article here ]—an uncommon occurrence at such events these days. Buswell’s lecture concentrated not just on Joachim’s importance as a performer, composer, teacher, and editor, but also on his approach to the music and what it can tell us in terms of performance. His remarks raised interesting points both for those who cultivate a historically informed approach to performance as well as those performers who are part of the mainstream current of art music performance today. He did note that he was playing a modernized violin that had built the same year that Bach wrote his Ciaccona in D Minor, but with gut strings and with a lighter, though modern bow, for the Bach and a slightly heavier bow for the Joachim and Brahms pieces. His viola was also strung in gut, but he would use the same bow for both the Joachim and Brahms pieces that were part of the same musical sound world. He gave a fascinating account of the editions of the Ciaconna and of his own interaction with the piece in the course of his career as a performer and as a teacher. Tokuno and Rosenbaum opened with Joachim’s Overture to Hamlet, Op. 4, in the four-hand arrangement by Brahms. The enormously dramatic piece proved a model of balance and clarity, but I had a slight sense that there was something slightly amiss throughout, and I suspect that the problem might have been Brahms. Coming from the time when Joachim was closely associated with Liszt, it is the kind of work that a few years later Liszt would have called a tone poem. From what I can hear in the orchestra version, the melodic writing possesses a great deal of Mendelssohn and late Schumann, but the orchestration is quite coloristic in a very Lisztian way. Brahms rewrote some of the counterpoints to make them more pianistic, but by and large the kinds of texture one finds in pieces like his Op. 119 did not yet exist in his sound universe and the textures in the arrangement sound dense (It is interesting to think how transparent his own Haydn Variations sound in the two piano version, but he actually wrote them originally that way). The Bach Ciaconna in D Minor, from the second partita for violin (Bach, by the way, was particularly punctilious in using French or Italian movement names in his violin and harpsichord partitas, as a way of telling you “how to think about” those pieces) was a staple of Joachim’s repertory throughout his entire life. The piece is immensely long and brutally difficult, but you would not have guessed that from Buswell’s performance. To my ears this was one of the very best performances I have heard in the last 20 years. He might have taken a slightly faster tempo than other violinists, or perhaps it was an illusion created by the extreme simplicity and clarity of the presentation, but his take appeared to go by much faster than most. With absolutely limpidity throughout, he was able to articulate the multiple voices clearly and effortlessly. He also subtly expressed the three sections, so that one could hear where everything was going. Brahms’s Two Songs for Alto, Viola, and Piano, Op. 91 are some his loveliest works. The program listed them in one order, but if my memory is right they were presented in reverse order, with the Geistliches Wiegenlied at the end. Korkos is a mezzo-soprano, and a light one at that, but once one got over the expectation of a darker and heavier sound (all of two measures into the first piece), what came across was the beautiful tone, the exquisite phrasing, and the wonderful diction. Both Buswell and Tokuno balanced perfectly throughout, and the ensemble’s give and take of ideas achieved perfection. As someone who has spent the last 30 years doing a great deal of Praetorius and Schütz, I find that the quotation of the “Leise, Joseph lieber, Joseph mein,” in the Lullaby gets to me every time. After intermission Buswell and Tokuno gave us the Hebrew Melodies Op. 9 for viola and piano by Joachim. Never having heard them, I was astounded as to how good they are. Unlike the Overture, here the influence of Brahms can be heard, but Joachim nonetheless disclosed an individual voice. Built along the formal lines of the late Brahms intermezzi, they are just as substantial. Given the somewhat paltry 19th -century viola repertory, I am surprised that these are not played to death everywhere. Brahms’s Trio in C Minor, Op. 101 for violin, cello and piano, brought back Buswell, Ou and Rosenbaum, who gave the closer energy and passion throughout. This curious music conveys almost none of the autumnal affect I hear in most of the composer’s late music; it is full of the enormous energy of his early and early middle period music, but absolutely none of the occasional longueurs of those works. Every note and every motive counts, and given the highly developed motivic content, the trio feels extraordinarily compact. So bracing was the energy of the performance, that by the end I was reminded of Schoenberg’s appellation, “Brahms the Progressive.” Schoenberg was right. Alejandro Enrique Planchart is a music historian, composer, and conductor, who is now professor emeritus of music at the University of California. His main areas of research are Latin Chant and the music of the 15th century. The post NEC Five Explicate Joachim appeared first on The Boston Musical Intelligencer .

The Well-Tempered Ear

Yesterday

Classical music: Technical difficulties prevent a long or complicated new post today. The Ear apologizes but offers an update about concerts this weekend by the Madison Summer Choir and the Bach Dancing and Dynamite Society

Due to technical difficulties beyond his control and at the web site host, The Ear cannot publish a new post today that is long or complicated, or has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can. There are several noteworthy concerts taking place this weekend: BACH DANCING AND DYNAMITE SOCIETY The Bach Dancing and Dynamite Society finishes up its Silver Jubilee summer season this weekend. The ensemble will perform two programs at the Playhouse in the Overture Center (Friday and Saturday nights) and in the Hillside Theater (Sunday afternoon and evening) at the Frank Lloyd Wright compound at Taliesin in Spring Green. The “Quicksilver” program features: the Brandenburg Concerto No. 4 by Johann Sebastian Bach; a reduced chamber version of the Piano Concerto No. 25 in C Major, K. 503, by Wolfgang Amadeus Mozart; and the String Octet in E-flat Major, Op. 20 — a double string quartet — by Felix Mendelssohn. The second program is “Don’t Cry for Me Argentina.” It features a miniature viola concerto, “Soul Garden,” by the contemporary American composer Derek Bermel; and then the “Four Seasons” by Antonio Vivaldi and the “Four Seasons on Buena of Aires” by Argentinean composer Astor Piazzolla. Movements from the two will be interspersed. Here is a link with more information: http://www.bachdancinganddynamite.org/schedule.php THE MADISON SUMMER CHOIR On Saturday night, at 7 p.m. in Mills Hall on the UW-Madison campus, the Madison Summer Choir (below), under the direction of Ben Luedcke, will perform a program called “This Is My Song: Music in the Struggle for Peace and Justice.” It includes music by Johannes Brahms, Felix Mendelssohn, Jean Sibelius and other composers. It features piano and orchestral accompaniments. Here is a link with more information: http://madisonsummerchoir.org Tagged: Antonio Vivaldi , Argentina , Arts , Ástor Piazzolla , Bach , Bach Dancing and Dynamite Society , Baroque , Brandenburg , Cello , Chamber music , choral music , Classical music , concerto , Derek Bermel , Early music , Four Seasons , Four Seasons of Buenos Aires , Frank Lloyd Wright , Garden , Hillside Theater , Jacob Stockinger , Johann Sebastian Bach , Johannes Brahms , Madison , Mendelssohn , Mozart , Octet , Orchestra , Overture Center , Piano , Playhouse , Sibelius , soul , Spring Green , String quartet , symphony , Taliesin , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , Viola , Violin , vocal music , Wisconsin , Wolfgang Amadeus Mozart




The Boston Musical Intelligencer

June 23

Joachim’s 185th Celebrated at Goethe-Institut

Joseph Joachim (1831-1907) is one of the iconic figures in the history of violin playing. A much admired friend and younger colleague of such great musical figures as Mendelssohn, Schumann and Liszt, he enjoyed a particularly close relationship with Johannes Brahms, who often sought Joachim’s advice. Joachim, moreover, was not only an artist beloved by musicians and audiences alike for his performances of solo repertoire, chamber music, and concertos. Through his teaching, editions and compositions, he also became an essential embodiment and custodian of the “German spirit” in music, the almost religious devotion to “classical” values and fealty to the written text, this even though he was born not in Germany or Austria but in Hungary to Jewish parents. A full assessment of Joachim has been long overdue, and a conference for this purpose was held at the Goethe-Institut June 16-18. Titled “Joseph Joachim at 185” and co-directed by Robert Whitehouse Eshbach and Valerie Woodring Goertzen, the three days were filled with 21 scholarly papers and two lecture recitals that examined just about every aspect of Joachim’s life and career as a violinist, teacher, composer, and mentor. It is not possible to describe each of these events in detail [full list here ], but all them added to our knowledge and appreciation of the art of Joseph Joachim. The opening address by Eshbach, a leading Joachim scholar, reminded us that Joachim “was a beloved, avuncular eminence … a virtuoso performer who stressed the importance of interpretation over virtuosity,” and who was seen as a sage and “musical priest” throughout the Western musical world. Eshbach also lamented, justly, that “… musicology has not kept up with Joachim” and that “much about his life and legacy remains to be re-evaluated or explored.” The conference was a great step forward. The first paper, by Japanese musicologist Mineo Ota, explored Hungarian and Gypsy connections to Joachim’s music. Ota posed the question: “How much and in what sense did the performance style of Gypsy musicians affect Joachim’s style?” and answered it convincingly: “…Joachim liked this music not simply from nationalistic enthusiasm but also for aesthetic reasons” and imitated the “performance style of prímások [concertmasters] of Gypsy bands.” New York-based musicologist Styra Avins spoke about Joachim’s baptism into Lutheranism in 1854, placing it within the context of “the cultural climate in German-speaking lands in which that decision was made,” including the Haskalah, “the German-Jewish Enlightenment movement that first found its voice in Moses Mendelssohn.” An added benefit from this paper was Avins’s reference to first BSO conductor George Henschel, another German Jew who had been baptized and lived his public life as a Christian. Nevertheless, in a visit to Henschel’s music studio in Scotland, Avins discovered a menorah over the doorway, and four stained-glass windows inside, each emblazoned by a Star of David, with the words “Until the Very End” running throughout. In his keynote address, Eshbach noted that a set of the works of Goethe was an “obligatory bar mitzvah present” during Joachim’s lifetime, underscoring that Jews in the German-speaking world felt their first allegiance was not to religion but to German culture. This apparent acceptance of Joachim as representative of the German spirit was not to last. In 1935, only 28 years after his death, Hannover’s Nazi police commissioner received a request from Berlin to give a new name to the beautiful street Joachimstrasse. One word was sufficient for the reason: “Jew.” The distinguished Mendelssohn scholar R. Larry Todd examined Joachim’s use of the musical cipher F-A-E (“frei aber einsam,” free but lonely), his personal motto, and how its “mirror inversion, Gis [G#]-e-la represented Gisela von Arnim, daughter of Betting von Arnim, with whom he was on close terms between 1852 and 1857.” In her paper, Katherine Uhde described Joachim’s relationship to Gisela as “complex.” Joachim achieved renown for his performances of Bach’s Sonatas and Partitas for Violin. Austrian/Canadian scholar Walter Kreyszig focused on the 1908 Joachim edition of the works, which he based on careful examination of the autograph owned by the widow of the Thomaskantor Wilhelm Rust. Kreyszig showed how the edition “provides a vivid testimony to Joachim’s profound knowledge of Bach’s solo violin repertory gained from his experience as a performer and teacher of this repertory.” Several papers dealt with Joachim’s compositions connected to the works of Shakespeare, such as the Overture to Shakespeare’s Henry IV (Woodring-Goertzen) and the Overture to Hamlet (Jacquelyn Sholes). There were multiple discussions about Joachim’s violin concertos. Robert Riggs pointed out that Donald Francis Tovey, who held Joachim in such reverence that he always called him the “Great Man,” considered the Concerto in D minor (in the Hungarian Manner) “one of the most important documents of the middle of the 19th century.” Riggs directed our attention to the possible influences of this concerto on Brahms’s Piano Concerto No. 1. Vasiliki Papadopoulou also examined a Brahms connection with Joachim’s Violin Concerto in G minor, op. 3. Despite Joachim’s impeccable reputation as an artist, several aspects of his personal life are less attractive. Hamburg scholar Beatrix Borchard, who has published a joint biography of Joachim and his wife, the great singer Amalie Schneeweiss (Stimme und Geige [Voice and Violin]: Amalie und Joseph Joachim), documented that Joachim treated his wife with unjustified suspicion and disrespect, and ultimately divorced her. In her conference paper, Borchard discussed Amalie’s groundbreaking series of performances tracing the history of the German Lied, which she presented to great success in Europe, Russia, and the United States. Two lecture-recitals focused on the recorded legacy of Joachim and his contemporaries. Australian harpsichordist / fortepianist and musicologist Neal Peres Da Costa gave a fascinating presentation of particular interest to practitioners of “historical performance.” Using recordings of Joachim and his favorite student, Marie Soldat-Roeger, as well as of pianists associated with Brahms, Da Costa demonstrated that “By studying closely the performances of these ‘old-timers’ which preserve, at the very least, remnants of performing practices from previous generations that are described in historical written texts (pedagogical writings, letters, reminiscences, scores and the like), we can gain a clearer understanding of the sound world of 100-150 years ago.” The lecture-recital by Swiss scholar/performers Kai Köpp, Johannes Gebauer, and Sebastian Bausch (“Der Klassikervortrag—Re-enacting the Art of Joseph Joachim”) offered results from their four-year research project in which they used analysis of “instructive texts and editions of the Joachim school,” methods of “embodiment” and “re-enactment,” and some high-tech graphs and images to add insights into performance practices of the time. A paper given by Ian Maxwell (Cambridge UK) described the newly formed Joachim archives at the University of Edinburgh, something that will be of great interest to scholars. The closing paper, by Arthur Kaptainis, was quite touching. The legendary pianist Arthur Rubinstein, who as a young prodigy was mentored by Joachim, recalled “sitting on a windowsill in Germany listening to the Joachim Quartet play Op. 18 no. 2.” Kaptainis told us that when members of the Juilliard Quartet visited Rubinstein in 1982 less than seven months before his death, they played at his request that same quartet, as well as Beethoven’s Opus 59 no. 1 and three movements from Opus 95. Such were the importance and influence of Joseph Joachim both during his lifetime and for future generations. Carol Lieberman and Mark Kroll have been performing together since meeting at the Yale School of Music. Lieberman became the first violinist to receive the DMA from Yale. The two continue to tour worldwide, playing violin / keyboard repertoire from the 17th to the 21st centuries. The post Joachim’s 185th Celebrated at Goethe-Institut appeared first on The Boston Musical Intelligencer .

Meeting in Music

June 22

Recent updates to previously posted music

6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière's 'Ilya Muromets' Symphony by Edward Downes in Manchester (1991) 4/7/15 Summer Nights #1: +1CD Borodin's 3 Symphonies by José Serebrier in Rome (1989) 4/7/15 Second Viennese School Essentials #7: +2CDs Schoenberg's Moses und Aron by Sylvain Cambreling (2012) 4/7/15 Wintery Romantics: +1CD Tchaikovsky Suites (Nutcracker & Swan Lake), Mehta & the Israel Philh. (Decca, 1979) 4/7/15 Summer Nights #7: +1CD Brahms Hungarian Dances, 5 Studies and 2 Rhapsodies by Louis D. Alvanis (1994) 4/7/15 Ein Bach...: +1LP: Daniel Varsano's recording of the Goldberg Variations (CBS, 1980) 4/7/15 Debussy #2 +1LP: Mélodies (including Baudelaire & Mallarmé sets) by Hugues Cuenod (1979) 4/7/15 Musique Française #2 +2CDs Wagschal for Fauré's Nocturnes (2009) + Satie by Ciccolini (and Tacchino) (1986) 4/7/15 Easter Passion Music: New links 3/22/15 German Baroque chamber Music New links in the comments 3/21/15 London Baroque - Trio Sonatas: new links in the comments 3/21/15 Vivaldi - Musica ad Rhenum : new link in the comments 3/19/15 Shostakovich #1 +1CD Bernstein's 5th (NYP, Tokyo 1979) & Cello Concerto with Ma & Ormandy in Philly 1982 3/19/15 Mahler 1 +1CD Solti's recording with the LSO (Decca, 1964), a new rip by Sgorby 3/19/15 Darmstadt #3: +1CD rip by Sgorby of already posted Ligeti by Cerha (Wergo) 1971 (previously on LP rip) 3/16/15 Debussy #4 The Complete Solo Piano Music by Aldo Ciccolini on EMI (1991) (a rip by Sgorby) 3/16/15 Strauss #3 +2CDs 4 last Songs Schwarzkopf & Szell (1966) and Harper & Del Mar (1981) 3/15/15 Strauss #3 +1CD Ein Heldenleben by Haitink and the CSO (2009) 3/15/15 Stravinsky #2 +1CD The Firebird (complete) & Chant du rossignol by Kitajenko and the Danish Radio SO 1991 3/14/15 Summer Nights #1 +1CD Respighi's Belfagor, Belkis and Church Windows (Ashkenazy, Netherlands Radio Philh.)  3/14/15 Shostakovich #1 +1CD Hypothetically Murdered Suite + Pushkin Romances (Kharitonov & Elder) 1992 3/14/15 Shostakovich #2 +1CD 1st Violin Concerto (+ Glazunov Violin C.to) with Perlman & Mehta on EMI 1988 3/12/15 Prokofiev #1 +1CD Li & Ozawa's for the 2nd Piano Concerto (+ Ravel's G Major Concerto) (DGG, 2007) 3/12/15 Mahler 8 +2CDs Leif Segerstam's recording in Copenhagen for Chandos (1994) + 10th Adagio 3/12/15 Summer Nights #8 +1CD Andrew Davis recording of Brahms's 4th + the Zigeunerlieder (BBC 1996) 3/12/15 Musique Française #1 +3CDs: Boulanger's Faust et Hélène; Franck by Firkušný & Flor; Debussy & Takemitsu 3/12/15 Debussy #4 +1CD Livia Rev's recording of the Etudes (+ Suite Bergamasque, D'un cahier, Berceuse) (Saga 1980) 3/5/15 Mahler 5 +2CDs Frank Shipway and the RPO (1996) (Symphony + No. 1 by Yuri Simonov) 3/5/15 Spanish School #3 +2CDs Ginastera by Santiago Rodriguez (1984) & Mompou by Ester Pineda (1992) 3/4/15 Bartok #4 +1LP 2nd Piano Concerto and 4 Pieces for Orchestra, Weissenberg and Ormandy (1970) 3/3/15 Musique Française #2 +1CD Debussy for Piano Duet & 2 Pianos by Pascal & Ami Rogé (2011) 3/3/15 Gershwin +1CD Rhapsody in Blue (Daniel Adni in Bournemouth), Addinsell's Warsaw C.to & Rózsa's Spellbound 3/3/15 Wintery Romantics +1CD Nielsen's 2nd Symphony (A. Davis) and Sibelius's 5th (Bamert) with the BBC SO 3/3/15 Prokofiev #1 +1CD Salonen and the Berlin Philharmonic: Romeo & Juliet (Excerpts) (CBS 1986) 3/1/15 Spanish School #3 +2CDs Albeniz & Granados selection by J.M. Pinzolas + "My Piazzolla" by Cecilia Pillado 3/1/15 Debussy #1 +1CD Jeux (Eötvös), Prélude (Robertson), Satie's Parade (Porcelijn), Roussel's BeA's 2nd Suite (Weller) 2/28/15 Debussy #4 +3CDs: Anne Queffélec's 12 Etudes, Ravel's Concertos & Miroirs, Fauré's Violin Sonatas (with P. Amoyal) 2/28/15 American Classics +2CDs: Copland The Populist by Tilson Thomas & MacDowell Symphonic Poems by Krueger 2/28/15 Debussy #2 +1CD Claudette Leblanc's album of Mélodies (with Valerie Tryon) (1989) 2/28/15 Summer Nights #5 +1CD Mackerras' recording of Berlioz Symphonie fantastique (with the RPO, 1994) 2/28/15 Summer Nights #4 +1CD Mackerras' recording of Beethoven 9th for EMI (Liverpool 1991) 2/27/15 Des Horizons #2 +1LP Debussy's Chansons de Bilitis & Satie's Socrate cond. by Friedrich Cerha (1969) 2/27/15 Des Horizons #2 +1CD Debussy and Ravel Music for 2 Pianos, by Pascal & Ami Rogé 2/27/15 Debussy #4 (Etudes) +1DDL: Nelson Goerner's recording of Etudes Livre II, plus Images Livre I & Estampes 2/27/15 Des Horizons #1 +1LP, Munch's last recordings in Paris, Ravel Concerto in G (w. Henriot-Schweitzer) & Honegger 2/26/15 Wintery Romantics +1LP: Maazel early recording of Tchaikovsky's 4th Symphony in Vienna for Decca (1965) 2/26/15 Des Horizons #1 +1CD Canteloube's complete Chants d'Auvergne by von Stade and De Almeida (CBS 1985) 2/26/15 Strauss Operas #2 +1CD set: Die Frau ohne Schatten, the complete Sawallisch recording for EMI (1987) 2/22/15 Des horizons de la musique française #2 +1CD Chabrier's Piano Music by Hewitt (2004) (a rip by Alan) 2/22/15 Rachmaninov #1 +1CD 2nd Symphony by Farberman & the RPO (1978) (a rip by Sgorby) 2/22/15 Summer Nights #9 +1CD Respighi Antiche Danze e Arie per Liuto by Ozawa (DGG 1979) (a rip by Sgorby) 2/22/15 Wintery Romantics +1CD Tchaikovsky's Nutcracker by Gergiev (Philips 1998) (a rip by Alan) 2/21/15 Wintery Romantics +6CDs Tchaikovsky Complete Symphonies: Temirkanov and the RPO (BMG) (a rip by Sgorby) 2/21/15 Wintery Romantics +2CDs Tchaikovsky Swan Lake (Complete) with Sawallisch (EMI 1994) 2/13/15 The World of Debussy #5 +1LP Rip, Teddy Teirup plays "La boîte a joujoux" (+ Ravel's Sonatine) 2/10/15 Bohemian Composers of the 17th Century New links added 2/7/15 Music from the Renaissance #2 New links added 2/3/15 Shostakovich #2 +1CD Cello Concerto No. 1 by Amit Peled 2/3/15 Summer Nights #5 +1CD Cello works by H. Eccles, Couperin, Fauré & Ligeti (Amit Peled with Eliza Ching) 2/3/15 Summer Nights #10 +1CD Elgar's Cello Concerto by Amit Peled 2/02/15 Keyboard Music on Harpsichord New links completed 1/30/15 Brahms's Concertos +1CD Violin Concerto & Sonata No. 2 by Vengerov & Barenboim (1998) 1/30/15 Second Viennese School Essentials #4 +1CD Karl Weigl's String Quartets Nos. 1 & 5 by the Artis Quartett Wien 1/30/15 Schoenberg: Piano Music +1CD Pi-Hsien Chen's reference recording of the complete set (1996) 1/30/15 Des Horizons #1 +1CD d'Indy's Symphonie sur un chant montagnard with Marek Janowski 1/30/15 American Classics +2CDs Thomas Hampson's Songs by Ives, Griffes, MacDowell & Glass Syms 2 & 3 by M. Alsop 1/30/15 Brahms Piano & Chamber Music Gems +1CD Andrea Bonatta's recording of 8 Klavierstücke, Paganini, Rhapsodies 1/29/15 Keyboard Music on harpsichord Added new links 1/28/15 HIF Biber and comtemporaries Added new links 1/12/15 Wintery Romantics +9CDs & 1DDL: Tchaikovsky's Ballets and Symphonies - Courtesy of Sasha 1/7/15 De l'Hoyer- Music for Two Guitars + Added new links 1/1/15 Just: Piano Trios Op. 2 & Op. 13 +1CD: Just Op. 2; Added new links for Op 13 2014 12/19/14 Mozart in Mannheim: Sacred Music by Holzbauer & Mozart Added new links  12/19/14 Schubert - Works for Fortepiano - Jan Vermeulen Added new links (BZ's Rip) 12/5/14 Summer Nights #9 +1CD Scriabin Symphony No. 3 & Poème de l'extase (Sinopoli, NYP 1989)  12/5/14 Summer Nights #9 +5CDs: Mendelssohn Piano Concertos (and 2 Pianos + Bruch), Symphonies 3 & 4, Quartet No. 5 12/2/14 L'Armonica- Music for Glass Harmonica  Added new links 11/26/14 Summer Nights #5 +1CD: Tilson Thomas (and Fleming) for Villa-Lobos (RCA, 1996) 11/26/14 Italian Flute Concertos  Added new download links. 11/26/14 Summer Nights #6 +4CDs: Muti for Pergolesi's Stabat Mater and Rota's Film Music; Herreweghe for Rameau's Les Indes galantes and Rossini's Stabat Mater in Giulini's 1982 recording on DGG 11/26/14 Summer Nights #3 +1CD Paganini's 1st Violin Concerto by Chang and Sawallisch in Philadelphia (1994) 11/26/14 Summer Nights #4 +3CDs Beethoven's Late String Quartets by the Takács Quartet (2003) 11/22/14 Christopher Hogwood & The Academy of Ancient Music - Mozart Concertos (Clarinet, Oboe, Flute & Harp, Bassoon)  New rip and download links 11/21/14 American Classics +7CDs: Nagano's Bernstein Mass, Barber and Ives Songs sets (Studer/Hampson; DeGaetani) 11/21/14 American Classics +5CDs for the great Jazz avant-garde of the late 50s: Tatum, Davis, Evans, Monk, Brubeck  11/21/14 American Classics +6 LPs Bernstein & Copland originals + Bolcom's 3 Ghost Rags' signature rec. by Paul Jacobs 11/20/14 Prokofiev #2: +1LP Cello Sonata (+ Strauss' Cello Sonata) with Frédéric Lodéon and Daria Hovora 1975 on RCA 11/20/14 Prokofiev #2: +1LP Cinderella Suite, Leonard Slatkin/Saint Louis Symphony 1985 on RCA 11/20/14 Prokofiev #2: +1LP Romeo & Juliet Suites, Riccardo Muti/Philadelphia 1981 on EMI 11/18/14 Strauss Great Operas #2: +2CDs Daphne (Fleming, Botha, Larsson, Schade, K. Youn, WDR, Bychkov on Decca) 11/18/14 Strauss Great Operas #1: +2CDs Elektra (Polaski, Schwanewilms, Palmer, Grundheber, WDR, Bychkov on Profil) 11/11/14 Bach: St John's Passion (arr. Robert Schumann)  Added new download links. 11/11/14 Druschetzky: Quartetto, Serenata, Quintetto  Added new download link. 11/11/14 Music by: Bruni, Cambini, Ferrer & Terzetti  Added new download links. 11/05/14 18th Century Women Composers: Music for the Solo Harpsichord, Vol. 1  Added new download link. 11/05/14 18th Century Women Composers: Music for the Solo Harpsichord, Vol. 2  Added new download link. 10/29/14 American Classics +1HQDDL Adams' The Dharma at Big Sur (Josefowicz/Adams) + Kraft's Timpani Concerto 10/27/14 Prokofiev #2 +2CDs 'October Cantata' (Elder '96) and 2nd Violin Sonata + Webern + Respighi (Mutter/Orkis '00)  10/18/14 Carl Friedrich Abel: Ouvertures & Sinfonias Added new links 10/15/14 Gershwin +1CD Weissenberg and Ozawa: Rhapsody in Blue, 'I Got Rhythm' Variations (1983) 10/15/14 Summer Nights #10 +1CD Elgar's 1st Symphony + P&C Marches 1,3,4 by Andrew Davis and BBC SO 10/15/14 Summer Nights #1 +1CD Khachaturian's Piano Concerto & Prokofiev's 3rd: Dickran Atamian & Gerard Schwarz 10/15/14 Summer Nights #6 +1CD Honegger's 2nd Symphony + Strauss' Metamorphosen by Gerard Schwarz 10/15/14 Summer Nights #4 +1CD Beethoven's 9th Symphony by Enrique Bátiz 10/14/14 Summer Nights #9 +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Andrew Litton (Thanks to Nzguy) 10/10/14 After Baroque: Music for the Natural Trumpet Added new links 9/29/14 Summer Nights #9 +1CD Brahms's 4 Serious Songs: Kurt Moll & Cord Garben 9/27/14 Summer Nights #9 +3CDs Brahms Requiem (G. Albrecht), Grieg/Sibelius Quartets (Emerson) & Sibelius Syms 3&7 9/27/14 Summer Nights #10 +3CDs Elgar Violin Concerto (Hahn/C. Davis), Delius Partsongs, Terfel's "The Vagabond" 9/22/14 Weber: Operatic Works on Period Instruments Added link for Weber's Oberon & Abu Hassan 9/16/14 Gallay & Reicha: Trios & Quartet for Horn Added link for new rear inlay with side panels. 9/11/14 Jommelli: Armida abbandonata (1770) Added new links 9/11/14 Summer Nights #5 +1CD Handel Suites for Keyboard: Keith Jarrett (Piano) 9/11/14 Rachmaninov #2 +1CD Concertos Nos. 1 & 2: Zimerman & Ozawa with the BSO 9/10/14 Poulenc Tribute +1CD Les Animaux modèles & Sinfonietta, Darlington and the Luxembourg Philh. 9/10/14 Summer Nights #8 +11 original CDs of Brahms Symphonies by C. Davis, Sawallisch, Giulini, Dohnanyi and Chailly 9/2/14 Mozart: The Nannerl's Notebook Added new links 9/2/14 Summer Nights #5 Berlioz Nuits d'Eté, Norman & C. Davis (1979) 9/1/14 Lessel: Fortepiano Concertos Added new links + Bonus Disc 9/1/14 La Chasse: Mozart, Vogler, Haydn, Endler Added new links 9/1/14 Alla Turca: Music by Mozart, Gluck & M. Haydn Added new links 8/11/14 String Quartets by Vanhal, Wranitzky & Jadin Added new links (Old links were missing tracks, cue, logs etc) 7/23/14 Handel: Tolomeo Added new links 7/20/14 Mozart: Piano Quartets Added new links 7/19/14 Wagner: Der fliegende Holländer (Paris version, 1841) Added new links 7/14/14 Webern Lieder with Piano (compl.): Barainsky, Doufexis, Hesse and Geçer (1994) 7/12/14 Mozart: Piano Concertos Hogwood/ Levin/ AAM New link for Concertos 1-4 7/4/14 Orfeo Ed Euridice: Kuijken-Bernius-Minkowski-Gardiner-Haenchen New link for Haenchen by Saoshya 7/3/14 Debussy #1 +1CD Le Martyre de Saint Sébastien by Daniele Gatti with Isabelle Huppert as récitant 7/2/14 Gluck Megapost (Happy 300th Birthday!) New links for Echo et Narcisse added courtesy of Saoshya 7/2/14 Beethoven: Quintet Arrangements (Symphonies-Overtures-Chamber Music) Added a new EAC rip of the Beethoven Symphony No.3 to replace the digital download. Includes full scans of booklet. Very rare! 7/1/14 Boccherini: Quintets opus 56 and opus 57 New links added courtesy of Saoshya 7/1/14 Strauss #3 +1CD Ein Heldenleben by Günther Herbig (1985) and Tod und Verklärung by John Pritchard (1980) 7/1/14 Des horizons #2 +1CD Ravel's Violin Sonatas, Pasquier and Engerer on Harmonia Mundi (1990) 7/1/14 Bartok #1 +1CD Mark Elder's Bluebeard's Castle with G. Howell and S. Burgess (1992) 6/29/14 Beethoven: Quintet Arrangements (Symphonies-Overtures-Chamber Music) Added new disc of Beethoven Quintet Arrangements Symphonies Nos.s 1 & 8, Piano Sonatas No. 8, Locrian Ensemble 6/26/14 Boccherini: Quintets opus 56 and opus 57 Added new DL links 6/26/14 Zelter: Goethe Lieder Volumes 1 & 2 Added new DL links for both discs 6/25/14 Debussy #2 +1CD Christiane Oelze's "Locas por Amor" album. Songs by Debussy, Granados, Wolf, Turina, Mompou. 6/25/14 Debussy #5 +2Cds Images, Estampes + Ravel's Gaspard & Valses + Schumann's Kreisleriana: Sergio Fiorentino. 6/22/14 Weill +3CDs, Dreigroschenoper's original recording with Lotte Lenya (1930) and 2 Stratas' Songs albums from the 80s 6/22/14 Mozart: Piano Concertos Hogwood/ Levin/ AAM Added new DL links for Concertos 11-13 & 19-20. 6/19/14 Vanhal- Klavierquartett op. 40 Added new DL links 6/19/14 Byström- 3 Sonatas for Keyboard & Violin, Op. 1 Added new DL links 6/19/14 Hummel: Chamber Music + 1CD Grand Sonata for mandolin & Piano 6/15/14 Cimarosa: Le Sonate Per Fortepiano, Vols. 1 - 3 New Links added 6/13/14 Beeth



The Boston Musical Intelligencer

June 21

From Chirpy Rice Planting to Full-Throttle Rach 2

Olivier Ochanine (file photo) History was made in Carnegie Hall last Saturday night. For 125 years its walls have echoed with the greatest international performers the world has known, and yet it still opens its doors to the fledgling, dreamer, and believer who have heard the old quip and can afford a private debut. Such was the case on this night. No small feat, however, as the Philippine Philharmonic Orchestra filed in to play a carefully chosen program under the baton of the young French music director Olivier Ochanine, first-prizewinner of the 2015 Antal Dorati International Conducting Competition. It was a project he had been dreaming of since his 2009 audition and appointment. At times in peril of being shelved, it would have been had it not been for Ochanine’s determination and unwavering persistence, Philippine Airlines providing transportation to the 80-plus members, and a long list of sponsors. Ochanine’s post actually ended in April, but he says he extended it to make sure his pet became a reality, inspired to have the PPO be recognized. “It was a lot of headaches, but in the end (after three years of working on it) I found the right partners.” In the afternoon rehearsal before the concert, the first sound the orchestra made onstage was the National Anthem of the Philippines. Some of the musicians cried, and “I also began to be teary-eyed. I knew it could happen and I refused not to make it happen for them.” Playing to a mainly Philippine crowd, the band saw a packed hall buzzing with the excitement of “mga Kababayan” (compatriots) witnessing the historical event. Once announcements were made, the PPO struck up the Philippine national anthem. a moment of silence was requested for the victims of the Orlando shooting; Ochanine left the stage. Returning, he launched into Shostakovich’s Festival Overture, in perhaps as full-throttle a tempo as only a Frenchman familiar with Offenbach could do. The playing was clean and brisk, especially in the reeling wind solos. In the tutti passages, one had the feeling that the orchestra was still trying out the space. They soon began to fill the hall with bright tone and brought the piece to a boiling conclusion. An interesting choice of programming resulted not one but two concertos featuring Filipino artists. The first was violinist Diomedes Saraza Jr. playing the Sibelius Violin Concerto. Heralded as a prodigy, he is now living in America, having finished a bachelor’s degree at Juilliard and studying at Yale for a master’s. Competitions, scholarships and guest appearances fill his biography, and yet I had a difficult time being impressed. He showed himself to be technically proficient and possessing a virtuosolike temperament. The opening began with a sweet sound, but he soon descended into impatience. We were only a few bars in and before the first show of intensity—a bar before the low G-string melody—he was already in deep. We were left with a half-hour of lots of notes and a nervous, tightly knit vibrato, stealing the effectiveness of the throaty scrape of the third movement that one awaits; alas, we had already heard it all. The third movement was where some of the performance came apart, and neither accuracy nor interest could be recovered. The other thorn was persistent small intonation issues which seemed to grow as the playing progressed. Ochanine kept a tight rein on the orchestra, working to keep the accompanying sonority balanced and in check. Well-received as a native son, Saraza offered an encore of Cavatina by Nicanor Abelardo. After intermission, international Filipina artist Cecile Licad took the stage for the second concerto of the evening, and perhaps Rachmaninoff’s best-known: his Piano Concerto No. 2. From the moment she walked onstage in a bright fuchsia gown, she owned the hall. The orchestra seemed more at ease than before. Her opening statement seemed pushed but was undeniably fine. There were times I felt the rubatos were rushed at the expense of clarity, not hers but our ability to hear it, yet the result was organic, as she clearly knew her pacing well. Ochanine became both partner and helmsman in charge of executing and driving the orchestral forces behind these abrupt rubatos, which sometimes came as lightning bolts. Tempering this fire, she used a dramatic, almost defiant patience in the construction of the first movement cadenza. Although finely played, the second movement also seemed to run hot and was a bit fast overall for my taste. Any hesitation or uncertainty that one had heard earlier from the orchestra was completely dissolved by now, and the final return of the popular theme in the third movement was as satisfying as one would hope to hear from any pianist and orchestra in any concert hall, revealing a warm lush string sound and setting up a breathless, crashing climax as the audience erupted into a screaming ovation, this reviewer included. Licad, after several curtain calls, offered a one-minute ditty of an encore, a chirpy variation on a Filipino folk tune Planting rice is never fun, a perfect setup for the closing work. Philippine Portraits by Redentor Romero is no throwaway medley of folk songs strung together but a sophisticated, well-written orchestral impression of many of the most beloved Filipino folk tunes. Features included a mournful extended flute solo, brilliantly played by Hercules Santiago, traditional pitched gongs and drums giving the effect of original Philippine percussion, rhythms sounded out col legno, and a strumming rondalla effect by the strings paying homage to musical roots from colonial Spanish times. Cecile Licad (file photo) Altogether, despite the occasional droop into a less than polished mode, the orchestra has improved a great deal since my last hearing of them, before Ochanine’s tenure. The strings in particular made me wish he had programmed a Dvořák or Brahms Serenade. Other fine playing included oboist Reynato Resurreccion Jr. and clarinetists Ariel Santa Ana and Jayson Rivera. After this concert, Ochanine’s last, the group’s new music director, Yoshikazu Fukumura, one of Japan’s revered maestros, steps in. Let’s trust that he continues this entirely justified development of Filipino talent. Experiencing them through the lens of a revered concert hall was daunting, but now that the die is cast, I have every confidence that they can continue to rise to a higher plateau of ensemble. No Filipino gathering is complete without one more folksong. Ochanine announced they would play the well-known “Gaano ko ikaw kamahal” (How much do I love you?) to show how much they loved the audience, giving them a last dose of admittedly delightful sentimentality to finish off the 118th extended celebration of Philippine Independence Day. Mezzo Gigi Mitchell-Velasco, a Curtis Institute of Music graduate, is currently an organist and music director in Rhode Island, where she lives with her Filipino-tenor husband Noel Velasco. She has studied with Peter Sykes. The post From Chirpy Rice Planting to Full-Throttle Rach 2 appeared first on The Boston Musical Intelligencer .

getClassical (Ilona Oltuski)

June 21

CMS Chamber Music Encounters – on a perpetual quest for inspired music making

American cellist David Finckel and Taiwanese pianist Wu Han need no further introduction to visitors of “Chamber Music Encounters,” an intense 6-day educational chamber music workshop, and their latest brainchild featured by The Chamber Music Society of Lincoln Center. Culminating in a free concert performance at Alice Tully Hall, audiences shared the results of a dynamic coaching effort focused on communal mentorship between CMS’ Encounters renowned faculty and new talent. In the sessions, which implement paradigm-shifting coaching conduct based on workshops led by the late Isaac Stern, students are challenged to relate to multiple masters’ viewpoints while making the music their own. With live-streamed workshop sessions, CMS indulges even remote audiences with a behind-the-scenes peek into their chambers of music making, brimming with eagerness and motivation. Wu Han and David Finckel (Photo credit: Lisa-Marie Mazzucco) David Finckel and Wu Han, the powerhouse couple of chamber music named “Musicians of the Year” by Musical America in 2012, have spearheaded artistic leadership at CMS since 2004. Chamber Music Encounters, presented in collaboration with The Juilliard School, represents yet another educational initiative in their ever-growing New York performance series. A blend of artistic excellence and savvy entrepreneurship, the secret of this series’ enduring success is not only found in the sauce: a meaty title of largest worldwide producer and presenter of chamber music, but in the spice, as the institution has gained substantial critical acclaim for its omnipresent high standards, and inspiring artistic verve and vision. Together with Wu Han, his partner in life and music, Finckel began establishing a network of chamber music institutions during the early days of his busy touring and recording schedule with the eminent Emerson String Quartet, which he only just left in 2013. Educating young musicians has always front-lined the duo’s activities. Han and Finckel began their appointment as Artistic Directors of CMS at Lincoln Center not long after founding Music@Menlo in 2003 in San Francisco’s Bay area. Their beginnings at Lincoln Center in 2004 opened up the prospect of a dynamic bi-coastal artistic exchange. When Han was approached in 2009 to bring the culture of chamber music to Taiwan and Korea, the infinite potential of leading international artistic and educational initiatives became apparent, and the pair set off. Backed by a grant-supported effort to provide performance culture and give back to its local music community, Chamber Music Today was established in Seoul in 2011 as an annual music festival with its own Chamber Music School supported by LG. With recent enterprises that include co-commissions of new works with London’s Wigmore Hall, and the latest addition of CMS’ residence at SPAC, the artistic summer retreat of New York City Ballet and the Philadelphia Orchestra at Saratoga last year, a spider web of alliances continues to spring up throughout Europe and the US, solidifying the pair’s identities as engineers of chamber music education and collaboration. “We are chamber musicians and there is a whole new generation out there that needs to perform; that’s what we do. It’s a constant work in progress and to keep it in flux these ‘satellite’ venues, as we call them, are vitally important to the growth and emanation of the work,” explains Finckel. Hands on approach: David Finckel during an Encounter session (Photo credit: Lilian Finckel) To perform chamber music, musicians require not only the talent and technique to master great accountability for their own instruments’ parts, but they must navigate nuanced musical and inter-relational sensitivity to convincingly communicate their engagement with both the score and one another. Intimate settings showcasing each of the individual ensemble members demand immensely interpretative coherence and individual artistry. “In its original definition thought of as music performed in a private group setting for pleasure by amateur musicians ‘in their chamber,’ one may argue that the profound interplay of diverse voices virtually defines the entire canon of Western music as chamber music,” remarks Arnold Steinhardt, renowned first violinist of the Guarneri String Quartet and a student and later collaborator of Stern, during a spellbinding panel with the eminent CMS Encounters faculty. “I at least think of all musical interplay as chamber music,” he adds. Session in progress, masters discussing details, from right: violinist Arnold Steinhardt, pianist Leon Fleisher, violinist Shmuel Ashkenazi (Photo credit: Lilian Finckel) To a great extent, chamber music’s mounting success in the United States has profited from concepts expanding on it as a communal experience, and it does not come as a surprise that most mentors involved in the Encounters workshops developed their love for this – up until recently – underappreciated art form at one point or another in their lives at Marlboro’s Chamber Music School and Festival. Incorporating novices and masters in collaborative rehearsals and performances, Marlboro is a unique educational environment, and Marlboro’s alumni play a huge role in cultivating America’s greater chamber music scene, infusing it with strong musical and personal relationships forged throughout weeks spent in Vermont’s summer hills. Relating pianistic ideas: Wu Han in a workshop session at CMS Encounters, Photo credit: Lilian Finckel Wu Han fondly remembers her days at Marlboro: “I was used to performing solo repertoire and big concerti as a soloist with an orchestra. But it’s a lonely road, practicing alone, travelling alone, and when I came to Marlboro, I fell in love with the whole idea of this intimate interaction. Having to match all the strings’ colors, study the others’ scores…it’s a different process and you are not just looking at your own part, but one gets to learn the entire concept of the music and to explore it together; I am so grateful for the discovery. Opening up your own sound world and being challenged to match the other musicians’ voices changes you every time anew, you become a different pianist each time, and that goes for performing as well as for teaching.” Now with the inner-city efforts of Chamber Music Encounters, coined after the series of spirited chamber music workshops offered by the late Isaac Stern, CMS continues where Stern has left off, taking up his strategy to implement diverse artistic vision into the coaching process. Stern had commenced this path, with initial workshops held in 1994 in Jerusalem and at Carnegie Hall, and some exemplary sessions in Germany, Holland and Japan. Right up until his passing in 2001, Stern, the iconic violin virtuoso and musical activist whose personal crusade saved Carnegie Hall from looming destruction, passionately taught his workshops shoulder to shoulder with an illustrious faculty of colleagues and friends, tirelessly shaping and inspiring an entire generation of young musicians, including the attending Encounters faculty; most of the Encounters mentors have taught in collaboration with Stern; next to pianist Wu Han and violinist David Finckel, pianist Leon Fleisher, violinists Shmuel Ashkenasi, Ani Kavafian and Arnold Steinhardt, as well as Juilliard’s provost and dean Ara Guzelimian are partaking in the workshops at CMS. Relying on the same pedagogical cross-pollination of interactive teaching and learning, students are coached by multiple faculty members in various groupings. Bringing differing opinions and solutions to the table allows each student to examine facets of his or her playing in a communal quest, focusing on varying concepts, but with the universal goal of learning how to learn, and how to develop their own artistic perspectives. Close up investigation by Leon Fleisher during a workshop (Photo credit: Lilian Finckel) While different input may be confusing at times, an investigative game plan that leads to the why – instead of blindly following one-dimensional instructions of how to – certainly engages creative responsiveness. Says Wu Han: “I wished something like this had existed when I was a budding musician.” Like Finckel, Steinhardt, Fleisher, Ashkenazy and Kavafian on the faculty of Stern’s sessions, she experienced the impact of the clever concept. “It is so helpful to include some open ended discussions during one’s studies. Sometimes you realize the fruitions of a suggestion only later on. There are so many choices and if one just listens to one teacher during weekly lessons, this curiosity of exploring different possibilities may not get sparked – and then, where is the searching for answers with this incredible ‘aha’ moment that brings one to the next level and makes for a true artist’s development?” Arnold Steinhardt explains his view of what makes the experience different: “Just like in Stern’s workshops, where he was not only interested in getting to the finished product but rather looked for the kernel of truth that could stand for the general viewpoint of how to look at music, we are focusing on crucial musical elements in the students’ performance that would be easily glossed over in regular lessons, trying to cover a lot of repertoire. Here, varied outlooks can open different points of entry for further artistic exploration.” “Inquiry was at the center of Stern’s spirit,” explains Ara Guzelimian, who, comparing varying approaches through historic recordings, lectures on the differences in performance styles over time. While working with Stern, serving as artistic director of programming and education at Carnegie Hall, he says he “was hugely influenced by Stern’s unique concept of wrestling with multiple approaches. Stern did not believe in the usual master class setting, promoting submissiveness. Exploring collective inspiration was at the core of his idea of life as a musician.” Faculty and students at CMS’ Encounters (Photo credit: Lilian Finckel) This summer, 15 students were geared to experience inspirational encounters with their prominent coaches. Split up into their performance groups for four of the repertoire’s staples: Mozart’s quartet in D minor, K.421, Schubert’s Trio No.1 in B-flat major, Op.99, Beethoven’s trio in B-flat major and Brahm’s quintet in F minor, Op.34, students practiced and were coached together. The atmosphere is generously friendly, with temperamental discussions and casual jokes varying slightly depending on the different combinations of faculty members and ensemble groups. When it comes to the serious efforts dispersed behind the music stands, doubled up scores and insights shared from heartfelt convictions forged during years of firsthand experiences, there is no business as usual. During a fiery discussion, these mentors, sometimes with hands on demonstration, wild gesticulations, whistling, humming or rhythmic stomping, can sudden upon any minute detail that may unhinge or open up a world of musical ideas. The characteristic elements of Stern’s workshops continue to live on in these interactions, even during a tight schedule of coaching sessions: “Mr. Stern opposes the idea of the master class and prefers teaching with others. This is chamber teaching of chamber music,” writes Philip Setzer, violinist of the Emerson String Quartet, of his firsthand experience working with Stern in an article, published in 2000 in the New York Times. Everyone working under CMS’ Encounters faculty has been influenced by decisive moments and prolific individuals in their lives, which led them to careers in music. And while each of the coaches brings their own differently-flavored personalities and viewpoints as well as specific instrumental expertise to the sessions, it becomes obvious early on that the success of the workshops’ structural dynamic comes through its reflection on chamber music’s own distinct platform – making music in intimate collaboration, keeping it fresh for the students and the faculty. Students’ work is under scrutiny from different angles throughout the sessions. Pianists mixing into strings’ fingerings and violinists suggest the pianist’s singing tone does not project enough. Sound a little intense? Perhaps, but the insightful disagreements between coaches not only keeps the process colorful, but can lead to eye-opening realizations. Performance at Alice Tully Hall, Sahun Hong, piano; Stephen Waarts,violin; James Jeonghwan Kim, cello – Franz Schubert Trio No.1 in B-flat major, D.898, Op.99 (Photo credit: Cherylynn Tsushima) Final performance at Alice Tully Hall: Jenny Chen, piano; Petery Ilvonen, violin; Brandon Garbot, violin; Cong Wu, viola; Jiyoung Lee, cello – Johannes Brahms Quintet in F minor, Op.34 (Photo credit: Cherylynn Tsushima) A better balance between players, more expressiveness and fine-tuned changes in tempi, and coherence in color and rhythm are noticeable after each session, but the students’ most important lessons lie deeper than just surface improvements in their playing and collaboration. The students have not just been prepared to perform in a successful concert at Alice Tully Hall, which evidenced much of the sessions’ fruitful advice. They have not just partaken in a beautiful performance of a Schubert trio or a Brahms quintet. These students will remember the nods towards exploring further, and look to carry on the musical discussion they’ve become a part of in these workshops for years to come, and perhaps even inspire others in turn.

Johannes Brahms
(1833 – 1897)

Johannes Brahms (7 May 1833 - 3 April 1897) was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms' popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs. Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works; he also worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim. Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed many of his works and left some of them unpublished. Brahms is often considered both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined method of composition for which Bach is famous, and also of development, a compositional ethos pioneered by J. Haydn, W.A. Mozart and Ludwig van Beethoven. Brahms aimed to honour the "purity" of these venerable "German" structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as the progressive Arnold Schoenberg and the conservative Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers.



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